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Allegory of Peace or Triumph of Peace is a 1652 oil-on-canvas painting by Dutch artist Jan Lievens. The painting represents the 1648 Treaty of Münster and depicts Minerva, the goddess of wisdom, crowning Pax, the goddess of peace. History Allegory of Peace is a painting by Jan Lievens, completed in 1652. The painting is in the Rijksmuseum in Amsterdam.[1] It is an allegorical celebration of the Treaty of Münster. The 1648 treaty ended decades of conflict between Spain and the Netherlands.[2] Description The work is a 217 cm (85 in) × 211 cm (83 in) oil-on-canvas painting and weighs 44 kg (97 lb). The painting shows a seated female who represents peace being crowned with a laurel wreath by a woman who is clad in armour who represents war. Under her feet lies a man in armor with a sword, his hands wrapped in chains. On her left, women have baskets of fruit and a putto is playing a drum. On her right two other putti put chains on the man's feet. Also on her right are more putti and women with flowers.[1] The painting depicts Minerva, the Roman goddess of wisdom, crowning Pax, the goddess of peace, who holds an olive branch.[2] The man in chains under the feet of Pax is Mars, the god of war.[3] Reception
Chapter 1
Minerva /məˈnɜːrvə/ (Latin: [mɪˈnɛrwa]; Etruscan: Menrva) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war.[2] From the second century BC onward, the Romans equated her with the Greek goddess Athena.[3] Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.
She was the virgin goddess of music, poetry, medicine, wisdom, commerce, weaving, and the crafts.[4] She is often depicted with her sacred creature, an owl usually named the "owl of Minerva",[5] which symbolised her association with wisdom and knowledge as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build, as well as wearing armour and carrying a spear. As the most important Roman goddess, she is highly revered, honored, and respected.[6] Marcus Terentius Varro considered her to be ideal and the plan for the universe personified.[7]
Etymology[edit]The name Minerva stems from Proto-Italic *meneswo ("intelligent, understanding"), and ultimately from Proto-Indo-European (PIE) *menos ("thought"). Helmut Rix (1981) and Gerhard Meiser (1998) have proposed the PIE derivative *menes-ueh₂ ("provided with a mind, intelligent") as the transitional form.[8]
Origin[edit]Following the Greek myths around Athena, she was born of Metis, who had been swallowed by Jupiter, and burst from her father's head, fully armed and clad in armour.[9] Jupiter had s*x with the titaness Metis, which resulted in her attempting to change shape (or shapeshift) to escape him. Jupiter then recalled the prophecy that his own child would overthrow him, as he had Saturn, and in turn, Saturn had Caelus. Fearing that their child would be male, and would grow stronger than he was and rule the Heavens in his place, Jupiter swallowed Metis whole after tricking her into turning herself into a fly. The Titaness gave birth to Minerva and forged weapons and armour for her child while within Jupiter's body. In some versions of the story, Metis continued to live inside of Jupiter's mind as the source of his wisdom. Others say she was simply a vessel for the birth of Minerva. The constant pounding and ringing left Jupiter with agonizing pain. To relieve the pain, Vulcan used a hammer to split Jupiter's head and, from the cleft, Minerva emerged, whole, adult, and in full battle armour.
Presence in mythology[edit]Minerva is a prominent figure in Roman mythology. She appears in many famous myths. Many of the stories of her Greek counterpart Athena are attributed to Minerva in Roman mythology, such as that of the naming of Athens[10] resulting from a competition between Minerva and Neptune,[11] in which Minerva created the olive tree.[2]
Minerva and Arachne[edit]Arachne was a mortal highly proficient in weaving and embroidery. Not only were her finished works that were beautiful, but also her process, so much so that nymphs would come out of their natural environments to watch her work. Arachne boasted that her skills could beat those of Minerva, and if she were wrong she would pay the price for it. This angered Minerva, and she took the form of an old woman to approach Arachne, offering her a chance to take back her challenge and ask forgiveness.[11] When Arachne refused, Minerva rid herself of her disguise and took Arachne up on her challenge. Arachne began to weave a tapestry that showed the shortcomings of the gods, while Minerva depicted her competition with Neptune and the gods looking down with disgust on mortals who would dare to challenge them.[11] Minerva's weaving was meant as a final warning to her foe to back down. Minerva was insulted by the scenes that Arachne was weaving, and destroyed it. She then touched Arachne on the forehead, which made her feel shame for what she had done, leading her to hang herself. Minerva then felt bad for the woman, and brought her back to life. However, Minerva transformed her into a spider as punishment for her actions, and hanging from a web would forever be a reminder to Arachne of her actions that offended the gods. This story also acted as a warning to mortals not to challenge the gods.[2]
Minerva and Medusa[edit]Medusa was once a beautiful human, a priestess of Minerva. Later on, Minerva found out that Neptune and Medusa were kissing in a temple dedicated to Minerva herself. Because of this Minerva turned her into a monster, replacing her hair with hissing snakes and removing her charm. Medusa turned any living creature she looked upon into stone. When Perseus approached Medusa he used her reflection in his shield to avoid contact with her eyes, and then beheaded her.[10] He delivered the severed head to Minerva, who placed its image on her Aegis.[2]
Taming of Pegasus[edit]When Perseus beheaded Medusa some of the blood spilled onto the ground, and from it came Pegasus. Minerva caught the horse and tamed it before gifting the horse to the Muses. It was a kick from the hoof of Pegasus that opened the fountain Hippocrene.[11] When Bellerophon later went to fight the Chimera he sought to use Pegasus in the fight. In order to do this he slept in Minerva's temple, and she came to him with a golden bridle. When Pegasus saw Bellerophon with the bridle the horse immediately allowed Bellerophon to mount, and they defeated the Chimera.[2]
📷
Painting of Minerva visiting the Muses
Turning Aglauros to stone[edit]Metamorphoses by Ovid tell the story of Minerva and Aglauros. When Mercury comes to seduce mortal virgin Herse, her sister Aglauros is driven by her greed to help him. Minerva discovers this and is furious with Aglauros. She seeks the assistance of Envy, who fills Aglauros with so much envy for the good fortune of others that she turns to stone. Mercury fails to seduce Herse.[11]
Minerva and Hercules[edit]Minerva assisted the hero Hercules. In Hyginus' Fabulae she is said to have helped him kill the Hydra (30.3).[10]
Minerva and Ulysses[edit]Minerva assisted the hero Ulysses. Hyginus describes in his work Fabulae that Minerva changes Odysseus' appearance in order to protect and assist him multiple times (126).[10]
Inventing the flute[edit]Minerva is thought to have invented the flute by piercing holes into boxwood. She enjoyed the music, but became embarrassed by how it made her face look when her cheeks puffed out to play. Because of this she threw it away and it landed on a riverbank where it was found by a satyr.[12]Minerva /məˈnɜːrvə/ (Latin: [mɪˈnɛrwa]; Etruscan: Menrva) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war.[2] From the second century BC onward, the Romans equated her with the Greek goddess Athena.[3] Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.
She was the virgin goddess of music, poetry, medicine, wisdom, commerce, weaving, and the crafts.[4] She is often depicted with her sacred creature, an owl usually named the "owl of Minerva",[5] which symbolised her association with wisdom and knowledge as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build, as well as wearing armour and carrying a spear. As the most important Roman goddess, she is highly revered, honored, and respected.[6] Marcus Terentius Varro considered her to be ideal and the plan for the universe personified.[7]
Etymology[edit]The name Minerva stems from Proto-Italic *meneswo ("intelligent, understanding"), and ultimately from Proto-Indo-European (PIE) *menos ("thought"). Helmut Rix (1981) and Gerhard Meiser (1998) have proposed the PIE derivative *menes-ueh₂ ("provided with a mind, intelligent") as the transitional form.[8]
Origin[edit]Following the Greek myths around Athena, she was born of Metis, who had been swallowed by Jupiter, and burst from her father's head, fully armed and clad in armour.[9] Jupiter had s*x with the titaness Metis, which resulted in her attempting to change shape (or shapeshift) to escape him. Jupiter then recalled the prophecy that his own child would overthrow him, as he had Saturn, and in turn, Saturn had Caelus. Fearing that their child would be male, and would grow stronger than he was and rule the Heavens in his place, Jupiter swallowed Metis whole after tricking her into turning herself into a fly. The Titaness gave birth to Minerva and forged weapons and armour for her child while within Jupiter's body. In some versions of the story, Metis continued to live inside of Jupiter's mind as the source of his wisdom. Others say she was simply a vessel for the birth of Minerva. The constant pounding and ringing left Jupiter with agonizing pain. To relieve the pain, Vulcan used a hammer to split Jupiter's head and, from the cleft, Minerva emerged, whole, adult, and in full battle armour.
Presence in mythology[edit]Minerva is a prominent figure in Roman mythology. She appears in many famous myths. Many of the stories of her Greek counterpart Athena are attributed to Minerva in Roman mythology, such as that of the naming of Athens[10] resulting from a competition between Minerva and Neptune,[11] in which Minerva created the olive tree.[2]
Minerva and Arachne[edit]Arachne was a mortal highly proficient in weaving and embroidery. Not only were her finished works that were beautiful, but also her process, so much so that nymphs would come out of their natural environments to watch her work. Arachne boasted that her skills could beat those of Minerva, and if she were wrong she would pay the price for it. This angered Minerva, and she took the form of an old woman to approach Arachne, offering her a chance to take back her challenge and ask forgiveness.[11] When Arachne refused, Minerva rid herself of her disguise and took Arachne up on her challenge. Arachne began to weave a tapestry that showed the shortcomings of the gods, while Minerva depicted her competition with Neptune and the gods looking down with disgust on mortals who would dare to challenge them.[11] Minerva's weaving was meant as a final warning to her foe to back down. Minerva was insulted by the scenes that Arachne was weaving, and destroyed it. She then touched Arachne on the forehead, which made her feel shame for what she had done, leading her to hang herself. Minerva then felt bad for the woman, and brought her back to life. However, Minerva transformed her into a spider as punishment for her actions, and hanging from a web would forever be a reminder to Arachne of her actions that offended the gods. This story also acted as a warning to mortals not to challenge the gods.[2]
Minerva and Medusa[edit]Medusa was once a beautiful human, a priestess of Minerva. Later on, Minerva found out that Neptune and Medusa were kissing in a temple dedicated to Minerva herself. Because of this Minerva turned her into a monster, replacing her hair with hissing snakes and removing her charm. Medusa turned any living creature she looked upon into stone. When Perseus approached Medusa he used her reflection in his shield to avoid contact with her eyes, and then beheaded her.[10] He delivered the severed head to Minerva, who placed its image on her Aegis.[2]
Taming of Pegasus[edit]When Perseus beheaded Medusa some of the blood spilled onto the ground, and from it came Pegasus. Minerva caught the horse and tamed it before gifting the horse to the Muses. It was a kick from the hoof of Pegasus that opened the fountain Hippocrene.[11] When Bellerophon later went to fight the Chimera he sought to use Pegasus in the fight. In order to do this he slept in Minerva's temple, and she came to him with a golden bridle. When Pegasus saw Bellerophon with the bridle the horse immediately allowed Bellerophon to mount, and they defeated the Chimera.[2]
📷
Painting of Minerva visiting the Muses
Turning Aglauros to stone[edit]Metamorphoses by Ovid tell the story of Minerva and Aglauros. When Mercury comes to seduce mortal virgin Herse, her sister Aglauros is driven by her greed to help him. Minerva discovers this and is furious with Aglauros. She seeks the assistance of Envy, who fills Aglauros with so much envy for the good fortune of others that she turns to stone. Mercury fails to seduce Herse.[11]
Minerva and Hercules[edit]Minerva assisted the hero Hercules. In Hyginus' Fabulae she is said to have helped him kill the Hydra (30.3).[10]
Minerva and Ulysses[edit]Minerva assisted the hero Ulysses. Hyginus describes in his work Fabulae that Minerva changes Odysseus' appearance in order to protect and assist him multiple times (126).[10]
Inventing the flute[edit]Minerva is thought to have invented the flute by piercing holes into boxwood. She enjoyed the music, but became embarrassed by how it made her face look when her cheeks puffed out to play. Because of this she threw it away and it landed on a riverbank where it was found by a satyr.[12]Minerva /məˈnɜːrvə/ (Latin: [mɪˈnɛrwa]; Etruscan: Menrva) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war.[2] From the second century BC onward, the Romans equated her with the Greek goddess Athena.[3] Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.
She was the virgin goddess of music, poetry, medicine, wisdom, commerce, weaving, and the crafts.[4] She is often depicted with her sacred creature, an owl usually named the "owl of Minerva",[5] which symbolised her association with wisdom and knowledge as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build, as well as wearing armour and carrying a spear. As the most important Roman goddess, she is highly revered, honored, and respected.[6] Marcus Terentius Varro considered her to be ideal and the plan for the universe personified.[7]
Etymology[edit]The name Minerva stems from Proto-Italic *meneswo ("intelligent, understanding"), and ultimately from Proto-Indo-European (PIE) *menos ("thought"). Helmut Rix (1981) and Gerhard Meiser (1998) have proposed the PIE derivative *menes-ueh₂ ("provided with a mind, intelligent") as the transitional form.[8]
Origin[edit]Following the Greek myths around Athena, she was born of Metis, who had been swallowed by Jupiter, and burst from her father's head, fully armed and clad in armour.[9] Jupiter had s*x with the titaness Metis, which resulted in her attempting to change shape (or shapeshift) to escape him. Jupiter then recalled the prophecy that his own child would overthrow him, as he had Saturn, and in turn, Saturn had Caelus. Fearing that their child would be male, and would grow stronger than he was and rule the Heavens in his place, Jupiter swallowed Metis whole after tricking her into turning herself into a fly. The Titaness gave birth to Minerva and forged weapons and armour for her child while within Jupiter's body. In some versions of the story, Metis continued to live inside of Jupiter's mind as the source of his wisdom. Others say she was simply a vessel for the birth of Minerva. The constant pounding and ringing left Jupiter with agonizing pain. To relieve the pain, Vulcan used a hammer to split Jupiter's head and, from the cleft, Minerva emerged, whole, adult, and in full battle armour.
Presence in mythology[edit]Minerva is a prominent figure in Roman mythology. She appears in many famous myths. Many of the stories of her Greek counterpart Athena are attributed to Minerva in Roman mythology, such as that of the naming of Athens[10] resulting from a competition between Minerva and Neptune,[11] in which Minerva created the olive tree.[2]
Minerva and Arachne[edit]Arachne was a mortal highly proficient in weaving and embroidery. Not only were her finished works that were beautiful, but also her process, so much so that nymphs would come out of their natural environments to watch her work. Arachne boasted that her skills could beat those of Minerva, and if she were wrong she would pay the price for it. This angered Minerva, and she took the form of an old woman to approach Arachne, offering her a chance to take back her challenge and ask forgiveness.[11] When Arachne refused, Minerva rid herself of her disguise and took Arachne up on her challenge. Arachne began to weave a tapestry that showed the shortcomings of the gods, while Minerva depicted her competition with Neptune and the gods looking down with disgust on mortals who would dare to challenge them.[11] Minerva's weaving was meant as a final warning to her foe to back down. Minerva was insulted by the scenes that Arachne was weaving, and destroyed it. She then touched Arachne on the forehead, which made her feel shame for what she had done, leading her to hang herself. Minerva then felt bad for the woman, and brought her back to life. However, Minerva transformed her into a spider as punishment for her actions, and hanging from a web would forever be a reminder to Arachne of her actions that offended the gods. This story also acted as a warning to mortals not to challenge the gods.[2]
Minerva and Medusa[edit]Medusa was once a beautiful human, a priestess of Minerva. Later on, Minerva found out that Neptune and Medusa were kissing in a temple dedicated to Minerva herself. Because of this Minerva turned her into a monster, replacing her hair with hissing snakes and removing her charm. Medusa turned any living creature she looked upon into stone. When Perseus approached Medusa he used her reflection in his shield to avoid contact with her eyes, and then beheaded her.[10] He delivered the severed head to Minerva, who placed its image on her Aegis.[2]
Taming of Pegasus[edit]When Perseus beheaded Medusa some of the blood spilled onto the ground, and from it came Pegasus. Minerva caught the horse and tamed it before gifting the horse to the Muses. It was a kick from the hoof of Pegasus that opened the fountain Hippocrene.[11] When Bellerophon later went to fight the Chimera he sought to use Pegasus in the fight. In order to do this he slept in Minerva's temple, and she came to him with a golden bridle. When Pegasus saw Bellerophon with the bridle the horse immediately allowed Bellerophon to mount, and they defeated the Chimera.[2]
📷
Painting of Minerva visiting the Muses
Turning Aglauros to stone[edit]Metamorphoses by Ovid tell the story of Minerva and Aglauros. When Mercury comes to seduce mortal virgin Herse, her sister Aglauros is driven by her greed to help him. Minerva discovers this and is furious with Aglauros. She seeks the assistance of Envy, who fills Aglauros with so much envy for the good fortune of others that she turns to stone. Mercury fails to seduce Herse.[11]
Minerva and Hercules[edit]Minerva assisted the hero Hercules. In Hyginus' Fabulae she is said to have helped him kill the Hydra (30.3).[10]
Minerva and Ulysses[edit]Minerva assisted the hero Ulysses. Hyginus describes in his work Fabulae that Minerva changes Odysseus' appearance in order to protect and assist him multiple times (126).[10]
Inventing the flute[edit]Minerva is thought to have invented the flute by piercing holes into boxwood. She enjoyed the music, but became embarrassed by how it made her face look when her cheeks puffed out to play. Because of this she threw it away and it landed on a riverbank where it was found by a satyr.[12]Minerva /məˈnɜːrvə/ (Latin: [mɪˈnɛrwa]; Etruscan: Menrva) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war.[2] From the second century BC onward, the Romans equated her with the Greek goddess Athena.[3] Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.
She was the virgin goddess of music, poetry, medicine, wisdom, commerce, weaving, and the crafts.[4] She is often depicted with her sacred creature, an owl usually named the "owl of Minerva",[5] which symbolised her association with wisdom and knowledge as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build, as well as wearing armour and carrying a spear. As the most important Roman goddess, she is highly revered, honored, and respected.[6] Marcus Terentius Varro considered her to be ideal and the plan for the universe personified.[7]
Etymology[edit]The name Minerva stems from Proto-Italic *meneswo ("intelligent, understanding"), and ultimately from Proto-Indo-European (PIE) *menos ("thought"). Helmut Rix (1981) and Gerhard Meiser (1998) have proposed the PIE derivative *menes-ueh₂ ("provided with a mind, intelligent") as the transitional form.[8]
Origin[edit]Following the Greek myths around Athena, she was born of Metis, who had been swallowed by Jupiter, and burst from her father's head, fully armed and clad in armour.[9] Jupiter had s*x with the titaness Metis, which resulted in her attempting to change shape (or shapeshift) to escape him. Jupiter then recalled the prophecy that his own child would overthrow him, as he had Saturn, and in turn, Saturn had Caelus. Fearing that their child would be male, and would grow stronger than he was and rule the Heavens in his place, Jupiter swallowed Metis whole after tricking her into turning herself into a fly. The Titaness gave birth to Minerva and forged weapons and armour for her child while within Jupiter's body. In some versions of the story, Metis continued to live inside of Jupiter's mind as the source of his wisdom. Others say she was simply a vessel for the birth of Minerva. The constant pounding and ringing left Jupiter with agonizing pain. To relieve the pain, Vulcan used a hammer to split Jupiter's head and, from the cleft, Minerva emerged, whole, adult, and in full battle armour.
Presence in mythology[edit]Minerva is a prominent figure in Roman mythology. She appears in many famous myths. Many of the stories of her Greek counterpart Athena are attributed to Minerva in Roman mythology, such as that of the naming of Athens[10] resulting from a competition between Minerva and Neptune,[11] in which Minerva created the olive tree.[2]
Minerva and Arachne[edit]Arachne was a mortal highly proficient in weaving and embroidery. Not only were her finished works that were beautiful, but also her process, so much so that nymphs would come out of their natural environments to watch her work. Arachne boasted that her skills could beat those of Minerva, and if she were wrong she would pay the price for it. This angered Minerva, and she took the form of an old woman to approach Arachne, offering her a chance to take back her challenge and ask forgiveness.[11] When Arachne refused, Minerva rid herself of her disguise and took Arachne up on her challenge. Arachne began to weave a tapestry that showed the shortcomings of the gods, while Minerva depicted her competition with Neptune and the gods looking down with disgust on mortals who would dare to challenge them.[11] Minerva's weaving was meant as a final warning to her foe to back down. Minerva was insulted by the scenes that Arachne was weaving, and destroyed it. She then touched Arachne on the forehead, which made her feel shame for what she had done, leading her to hang herself. Minerva then felt bad for the woman, and brought her back to life. However, Minerva transformed her into a spider as punishment for her actions, and hanging from a web would forever be a reminder to Arachne of her actions that offended the gods. This story also acted as a warning to mortals not to challenge the gods.[2]
Minerva and Medusa[edit]Medusa was once a beautiful human, a priestess of Minerva. Later on, Minerva found out that Neptune and Medusa were kissing in a temple dedicated to Minerva herself. Because of this Minerva turned her into a monster, replacing her hair with hissing snakes and removing her charm. Medusa turned any living creature she looked upon into stone. When Perseus approached Medusa he used her reflection in his shield to avoid contact with her eyes, and then beheaded her.[10] He delivered the severed head to Minerva, who placed its image on her Aegis.[2]
Taming of Pegasus[edit]When Perseus beheaded Medusa some of the blood spilled onto the ground, and from it came Pegasus. Minerva caught the horse and tamed it before gifting the horse to the Muses. It was a kick from the hoof of Pegasus that opened the fountain Hippocrene.[11] When Bellerophon later went to fight the Chimera he sought to use Pegasus in the fight. In order to do this he slept in Minerva's temple, and she came to him with a golden bridle. When Pegasus saw Bellerophon with the bridle the horse immediately allowed Bellerophon to mount, and they defeated the Chimera.[2]
📷
Painting of Minerva visiting the Muses
Turning Aglauros to stone[edit]Metamorphoses by Ovid tell the story of Minerva and Aglauros. When Mercury comes to seduce mortal virgin Herse, her sister Aglauros is driven by her greed to help him. Minerva discovers this and is furious with Aglauros. She seeks the assistance of Envy, who fills Aglauros with so much envy for the good fortune of others that she turns to stone. Mercury fails to seduce Herse.[11]
Minerva and Hercules[edit]Minerva assisted the hero Hercules. In Hyginus' Fabulae she is said to have helped him kill the Hydra (30.3).[10]
Minerva and Ulysses[edit]Minerva assisted the hero Ulysses. Hyginus describes in his work Fabulae that Minerva changes Odysseus' appearance in order to protect and assist him multiple times (126).[10]
Inventing the flute[edit]Minerva is thought to have invented the flute by piercing holes into boxwood. She enjoyed the music, but became embarrassed by how it made her face look when her cheeks puffed out to play. Because of this she threw it away and it landed on a riverbank where it was found by a satyr.[12]